National Publishing Agency of the Workers' Publishing Cooperative Prasa-Książka-Ruch, Kraków
design by Sławomir Lewczuk
printed in Poland
I’m skeptical that I can adequately write anything about this book. For one, I understand very little about what it is documenting. I believe it highlights a famous Polish riverside performance featuring an amalgam of pyrotechnics, theatrical puppetry, and music conducted by the Polish United Workers’ Party over multiple years in the 70s. Secondly, much like the occasion itself, the design of the book is wholly irregular in a fantastical, surreal, and psychedelic way which I doubt I can justly describe. And lastly, I’m also a bit drunk.
The book is a beautiful photographic essay unlike anything I’ve seen before. Everything from the use of the ungainly extended Akzidenz Grotesk to the pure CYMK coloration feels radically unique and without pretension. The low-quality, offset printing of the time has created a wonderfully bizarre rendering of Adam Bujak’s photographs while the bold floods of cyan, magenta, and yellow abruptly break the rhythm of the images.
Even many of Bujak’s black and white photographs are printed in monochrome shades of alternating colors, furthering the surrealistic effect. The book also comes with a record featuring music from the event. It is packaged unceremoniously in an off-kilter red sleeve that vibrates against the somewhat garish combination of the spread’s magenta and yellow pages.
The book was originally derided as a cheap fever dream, showcasing a famed event through a kind of slipshod cacophony of various technical and budgetary limitations, or otherwise inexplicable choices. But the result today is an absolutely beautiful contemplation on the radical design of that era. It transcends its original constraints to create an otherworldly portrait of a bygone event. This is easily one of my most prized books in my collection, not for its value but its exceptional design. Rarely do I come across a work that feels as uninhibited as this.